Phantom Railings – A WWII installation art / memorial near Euston

Phantom railings:

a public art intervention that plays on London’s wartime memories

“Phantom railings” is an interactive sound sculpture that uses the movements of pedestrians to evoke the ghost of a lost iron fence.

The site of the intervention is a garden in Bloomsbury, whose railings were removed as part of the 1940s war effort and never replaced, leaving a line of iron stumps along the surrounding wall. Using sensor-based acoustic devices, the installation makes evident the absence of railings by creating a resemblance of the familiar sound produced by running a stick along an iron fence.

The pitch of each railing’s “sound” is set to vary according to the pedestrian’s speed and proximity, allowing the phantom railings to be played and tuned as desired. The music produced by this urban instrument is being captured as a real-time audio-visual score and streamed live to the project’s website.

The project, which has been awarded the “Inspire” mark of the Cultural Olympiad1, draws on an episode in London’s history whose socio-political context remains relevant today. Inspired by the wartime initiative to democratise parks and gardens by removing their railings2, the project engages with a centuries-old debate about public space and accessibility. The aim is to bring these subjects into question, promoting a critical awareness of the social and spatial history of the city in a way that is innovative, entertaining and, most importantly, accessible to all3.

via Phantom Railings.

HT Mike Beardmore.

Comments

One response to “Phantom Railings – A WWII installation art / memorial near Euston”

  1. Dave Walker

    The most famous set of phantom railings I know of – and there are still stumps in place – is at the front of the Treasury building, just opposite St James’ Park. Bloomsbury seems a bit out of the way, by comparison.

    Idle thought – if the “acoustic devices” were re-tuned, I wonder if Mike Oldfield would be interested in indulging in a little bit of one-upmanship on Jean-Michel Jarre’s laser harp, and going along to play some “long, thin, metallic, standing, phantom tubes”?

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